![]() I'm still struggling with my new M32, and I'm sure I'm not getting the most out of it. ![]() My favorite company for this is Freelance Soundlabs.īy the way, I'm not claiming to be expert, just trying to be helpful, so correct me if I got anything wrong. For detailed information please refer to your host software’s documentation. 2.1.1 Installation Select MIDI/CC as remote control surface in the software you want to control. Note that the software needs to accept MIDI CC commands. It's very useful to have somebody do all this work for you for a big instrument like Omnisphere. Use this Controller Editor template to control software via MIDI commands. There will be sample notes when you scroll through presets, and all the parameters will be on the knobs. You should also be permitted to download the Controller Editor software for you to customize MIDI as you see fit. Enter the number from the previously mentioned card. Then the instrument will look exactly like an NKS instrument, with the little pictures and everything. Run Service Center (found in Apps>Native Instruments) You should be prompted to enter a serial number. You can buy a template for an instrument that will show up in your USER section. There is a third option for controlling non-NKS virtual instruments through your KK controller. and this is very important: if you change any of the mappings of the instrument's parameters while creating your KK template, you'll need to create a default patch of the instrument that loads all those parameters back at startup. The elaborate MIDI mapping with the names of parameters on the knobs, etc, will only work if you run your non-NKS plugin within Komplete Kontrol and then switch to MIDI mode.īut. The MIDI Mode can be accessed outside of KK, but only as MIDI learn, which isn't permanent unless you save the mappings in the instrument, not on the controller. I'm not sure if Controller Editor works on A-series controllers. Our smallest MIDI keyboard yet, it packs a mighty punch with amazing sounds and plenty of features included. I'm not sure but I believe that Controller Editor functionality is built into Komplete Kontrol MK2 controllers. If you make music on the move, the KOMPLETE KONTROL M32 is a mini MIDI keyboard controller that’s easy to pop into a rucksack and take with you anywhere you go. If will stay resident in your controller, but it's good to have a backup. Just remember to save a file (which includes all your templates) on your hard drive. In the first generation S series you can do unlimited pages. Since first creating this template and video, Native Instruments have added native control surface support for Logic Pro X and the Maschine MK3. You can assign CC numbers (and all kinds of stuff- pitch bend, program change, etc) to the knobs and give the parameters names, and set up the light guides too. With your S61, you can use the NI program CONTROLLER EDITOR, which if you don't have already, you can get here In this program you can create templates for your favorite libraries and give them names. The left portion of the interface shows you the buttons and their labels. In MIDI mode the KK controllers act like any standard MIDI controller, and you can do MIDI learn with them.īut you can do more with them. With the Controller Editor open, create a new template by clicking the Edit button and selecting New. With second gen controllers it is MIDI/PLUGIN. You switch to MIDI mode on the original series by clicking SHIFT+INSTANCE. If there is none attached, you can use the new MIDI capabilities of the current version of the software. Because of this, in my experience, you can't plug in more than one KK controller at the same time, or at least, only one will work. Depending on which one is attached, it acts in different ways. Plus a few touches unique to each model.First, when you start up Komplete Kontrol, it checks to see if there is a Komplete Kontrol controller connected. The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.Īll five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Like the filters, Diva’s oscillators are also modelled on classic hardware. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. (If you are interested, Urs wrote an in-depth blog post about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. The filters are at the heart of Diva’s analogue sound. One spirit, many flavours Oscillators and Filters
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